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Chateau De St. Michael, Bonneville, Savoy

Represented work of art
Artist
Material
DimensionsOverall: 91.5 x 122 cm
Date made
  • 1802-03
Technique
  • oil painting
Provenance
  • Yale Center for British Art, Paul Mellon Collection 
Exhibition history
  • Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity (Fondazione Roma Museo - Palazzo Sciarra, 2014-04-14 - 2014-07-20) Turner and the Masters (Museo del Prado, 2010-06-21 - 2010-09-19) Turner and the Masters (Réunion des Musées Nationaux, 2010-02-22 - 2010-05-23) Turner and the Masters (Tate Britain, 2009-09-21 - 2010-01-24) Turner and Italy (National Gallery of Scotland, 2009-03-26 - 2009-06-07) Turner and Italy (Palazzo dei Diamanti, Ferrara, 2008-11-16 - 2009-02-22) ' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20) Turner (British Council - Japan) (Kyoto Municipal Museum of Art, 1986-10-14 - 1986-11-16) Turner (British Council - Japan) (The National Museum of Western Art, 1986-08-16 - 1986-10-05) J. M. W. Turner (Musée du Louvre, 1983-10-14 - 1984-01-16)Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) 
Publication history
  • [Advertisement] : Turner's Liber Studorum, Academy, vol. 25, January 5, 1884, p. ii, British Periodicals[Front Matter] : Sotheby's Advertisement : Sale Date Wednesday June 27, 1973, Burlington Magazine, vol. 115, June 1973, p. xxxi, N1 B87 (LC)+ OversizeAdvertisement, Athenaeum, 29 March 1884, p. 394, British PeriodicalsA.A. Allen, Catalogue of A.A. Allen's Collection of Turner's Liber Studiorum, Taylor, Garrett, Evans, Manchester, 1914, p. 22, no. 64, NJ18 T85 A15 L5 1914Sir Walter Armstrong, Turner, Thos. Agnew and Sons Ltd., London, 1902, vol. 1, p. 51, Folio A N 11Art Exhibitions, The Times (London), 11 July 1974, p. 12, Times Digital ArchiveArt on the line : the Royal Academy exhibitions at Somerset House, 1780-1836 : [catalogue of works], , The Courtauld Gallery, London, 2001, no. 61, V 0909Carolina Brook, Hogarth Reynolds Turner : British painting and the rise of modernity, Skira editore, Rome, 2014, pp. 242, 282, no. 90, fig. 90, ND466 .H65 2014 OVERSIZEBurlington Fine Arts Club, Exhibition Illustrative of Turner's Liber Studiorum, Spottiswoode & Co., London, 1872, p. 42, no. 64, NJ18 T85 A15 L5 1872Martin Butlin, The paintings of J.M.W. Turner, The Paul Mellon Centre for Studies in British Art, New Haven, 1984, pp. 35, 39-40, 74, 87, 110, 311, no. 50, pl. 59, NJ18 T85 B885 1984 OVERSIZEMartin Butlin, Turner, Heinemann, London, 1965, p. 90, no. 21, NJ18 T8 R57 OVERSIZEKenneth Clark, The romantic rebellion : romantic versus classic art, Harper & Row, New York, 1973, p. 250, , pl. 175, N6465 R6 C53 (SML); available online Available online at Internet Archive.Commemorative catalogue of the exhibition of British art, Royal academy of arts, London, January-March 1934, Royal Academy of Arts, London, 1935, p. 96, no. 361, Pl. C [100], N6761 L651Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, p. 226-227, N590.2 .A83Entertainments, The Times (London), , 8 July 1974, p. 10, Times Digital ArchiveExhibition of Turner's early oil-paintings (1796-1815) July to September 1931 , National Gallery, Millbank : illustrated catalogue, , Westminster Press, London, 1931, p. 10, no. 17, NJ18 T85 T37Exhibition of British art, c. 1000-1860 : full catalogue [of the Winter Exhibition held on January 6-March 10, 1934], , , Royal Academy of Arts, London, 1934, p, 243, no. 648, N6761 L65Exhibition of drawings by J.M.W. Turner, the property of Mr. Ruskin, Athenaeum, 16 March 1878, p. 356, British PeridodicalsExhibition of works by the old masters and by deceased masters of the British School including a collection illustrating the Sculptor-Goldsmith's Art chiefly of the Fifteenth and Sixteenth Centuries, Winter Exhibition 26th Year, Royal Academy of Arts, 1895, p. 33, no. 134, Fiche B131A. J. Finberg, The life of J. M. W. Turner, R.A., , Clarendon Press, Oxford, 1961, pp. 98, 99, 101, 466, no. 86, NJ18 T85 F55 1961Hilda F. Finberg, Turner to Mr Dobreé : Two unrecorded letters, , Burlington Magazine, vol. 95, March 1953, p. 98, N1 B87 (LC)+ OversizeWilliam Gaunt, Turner : Agnew's, , The Times (London), July 12, 1974, p. 11, Times Digital ArchiveCatherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 67, ND466 .G67Guildhall Gallery, Athenaeum, 15 April 1899, p. 472, British PerioicalsPhilip Gilbert Hamerton, Art Chronicle, Portfolio, vol. 20, January 1889, p. 39, British PeriodicalsJames Hamilton, Turner & Italy, National Galleries of Scotland, Edinburgh, 2009, p. 24, fig. 19, NJ18 T85 H252 2009Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 29, 121, no. I.15, pl. 23, ND1354.4 H38Luke Herrmann, Turner prints : The engraved work of J.M.W. Turner, , Phaidon, Oxford, 1990, pp. 65-66, NJ18 T85 H52 1990High Prices for Pictures : Earl of Camperdown's Pictures, , Scotsman, 22 February 1919, p. 6, Proquest Historical Newspapers: The ScotsmanWerner Hofmann, William Turner und die Landshaft seine zeit : [Kunst um 1800: Ausstellung], Hamburger Kunsthalle, , Prestel, Mu¨nchen, 1976, p. 98, no. 15, NJ18 T85 H63J.M.W. Turner à l'occasion du cinquantième anniversaire du British Council : Galeries nationales du Grand Palais, Paris, 14 octobre 1983-16 janvier 1984, , Editions Réunion des Musées Nationaux, Paris, 1983, no. 11, NJ18 T85 J14Evelyn Joll, The Oxford companion to J.M.W. Turner, Oxford University Press, Oxford New York, 2001, pp. 27-28, NJ18 O84 2001Kunsthaus Zurich, Turner und die Schweiz, Zurich, 1977, p. 11, no. 18, NJ18 T85 Z8 OVERSIZEList of the Works Contributed to Public Exhibitions by J.M.W. Turner, R.A., , G. Bell & Sons, London, 1901, p.80, no. 100, NJ18 T85 A23D. S. M., Mr. Ruskin's Turners, Saturday Review of Politics, Literature, Science and Art, vol. 90, July 7, 1900, p. 11, British PeriodicalsFranny Moyle, Turner : The Extraordinary Life and Momentous Times of J.M.W. Turner, Penguin Books, New York, 2016, pp. 216-217, NJ18 T85 M79 2016Kathleen Dukeley Nicolson, Turner's classical landscapes : myth and meaning, , Princeton University Press, Princeton, N.J., 1990, pp. 80-82, no. 39, NJ18 T85 N53 1990 +Notes for Collectors, Saturday Review of Politics, Literature, Science and Art, vol. 149, March 8, 1930, p. 302, Bristish PeriodicalsAlex Potts, Art on the Line, Burlington Magazine, vol. 144, March 2002, pp. 177- 178, N1 B87 OVERSIZESir Herbert Edward Read, English Art, Burlington Magazine, vol. 63, December 1933, pp. iv, 275, 277, 296, N1 B8 OVERSIZEGraham Reynolds, Turner, Thames & Hudson, London, 2020, fig. 40, NJ18.T85 R49 2020Keith Roberts, London, Burlington Magazine, vol. 116, August 1974, p. 491, N1 B87 (LC)+ OversizeRoyal Academy of Arts, Exhibition of the Royal Academy of Arts : Exhibition Catalogue. 1803. 35th, Exhibition of the Royal Academy of Arts, no. 35, B. McMillan, London, 1803, p. 13, no. 237, N5054 A53 29-49Royal Opera House, The Times (London), vol. 59132, July 1974, p. 7, Times Digital ArchiveJohn Ruskin, Notes by Mr. Ruskin on his collection of drawings by the late J.M.W. Turner, R.A., England Fine Art Society, London, 1878, pp. 18-19, 21, no. 10, , NJ18 T85 R87 1878 OVERSIZESales, Athenaeum, May 3, 1902, p. 569, British PeriodicalsSam Smiles, The late works of J. M. W. Turner : the artist and his critics, The Paul Mellon Centre for Studies in British Art, London, 2020, p. 139, fig. 71, NJ18.t85 S655 2020 OversizeDavid H. Solkin, Art on the Line : the Royal Academy Exhibitions at Somerset House 1780-1836, , Yale University Press, New Haven, CT, 2001, Foldout No, 45, N5054 A78 2001BDavid H. Solkin, Turner and the masters, Tate Publishing, London, 2009, p. 139, fig. 28, NJ18 T85 T8352 2009+Sotheby's, Sotheby's sale catalogue : Catalogue of Seventeenth, Eighteenth and Nineteenth Century English paintings and two portraits by Van Dyck ... Part II : 27 June 1973, Sotheby's, London, June 27, 1973, p. 20, lot. 55, Auction CataloguesTate Britain, Turner, 1775-1851, Tate Britain, London, 1974, pp. 49, 55, no. 74, NJ18 T85 T36+ Also available on Microfiche, Fiche B236The First hundred years of the Royal Academy, 1769-1868 : Winter exhibition, 1951-52, , Royal Academy of Arts, London, 1951, v. 1, p. 87, v. 2, p. 56, no. 190, N5054 .A545 1951/52The Red Rigi : £8295 for a Turner Rise in Picture Values, , Scotsman, 15 December 1928, p. 14, ProQuest Historical Newspapers : The ScotsmanThe Sale Room, The Times (London), April 27, 1946, p. 6, Times Digital ArchiveWalter Thornbury, Life of J.M.W. Turner , R.A. founded on letters and papers furnished by his friends and fellow-academicians, , Chatto & Windus, London, 1904, p. 571, no. 82, NJ18 T85 T38 1904Turner's Liber Studiorum, The Times (London), , March 26, 1873, p. 12, Times Digital ArchiveGerald Wilkinson, Sketches of Turner, Barrie & Jenkins, London, 1974, p. 55, NJ18 T85 W56 OVERSIZEJohn Wilmerding, Essays in honor of Paul Mellon, collector and benefactor : Essays, , National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 402-418, fig. 1, N7442.2 M455 1986Andrew Wilton, J. M. W. Turner : his art and life, , Rizzoli, New York, 1979, pp. 95, 98, 257, no. P50, no. 92, NJ18 T85 W577 1979 + OVERSIZEAndrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, pp. 95, 98, 257, no. P50, pl. 92, NJ18 T85 +W577 OVERSIZEAndrew Wilton, Turner in His Time, , Thames and Hudson, London, 2006, p. 58, NJ18 T85 W592 2006 OVERSIZEWinter Exhibition at the Royal Academy, The Times (London), , December 1951, p. 10, Times Digital ArchiveWinter Exhibition, Burlington House, The Times (London), , January 19, 1889, p. 15, Times Digital ArchiveWilliam Lionel Wyllie, J. M. W. Turner, G. Bell & Sons, London, 1905, pp. 36, 55, NJ18 T85 W85
Current owner
Owner accession numbersB1977.14.75
Owner’s online record
Previous owner (1907-1999)
Photographic source
Object FormatPhotographic Print
Photograph Source
Archival context
Object numberPA-F01329-0009
Archival context
ClassificationsArchival Document
Scope and content This series comprises images of a collection of paintings formerly owned by the American philanthropist, Paul Mellon. The collection has now been divided and paintings are owned by the following institutions: the Yale Center for British Art, New Haven; the National Gallery of Art, Washington DC; Virginia Museum of Fine Art, Richmond; and the Paul Mellon private collection. The Photographic Archive does not include images of every painting owned by Paul Mellon.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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