Alexander Iii, King of Scotland, Rescued From the Fury of a Stag by the Intrepidity of Colin Fitzgerald
Represented work of art
Artist
Benjamin West
Dimensions3.68 x 5.22 (145 x 205 1/2 inches)
Work type
Inscription
- Signed B. West /1786
Provenance
- Comm. By Francis Humberston mackenzie (1754-115) later Lord Seaforth, Still in West's studio 1821 but belonging to mackenzie's daughter, Mary, wife of James Alexander Stewart Mackenzie; By descent in the family at Brahan Castle 'till demolition in 1952, when it was loaned to Fortrose Town Council; Anonymous sale, Sotheby's, 19 November 1986 (72)
Exhibition history
- Commissioned by Francis MacKenzie, later Lord Seaforth, Clan chieftan in 1783. West prepared a no. of preparatory drawings for the large work, and exhibited a study at the Royal Academy of Arts, in 1784.; cat. Royal Academy of Arts, 1786 (148)
Publication history
- . ; H. Von Erffa and A. Staley The Paintings of Benjamin West 1986 (54) (55), pp 76-7, 100, 190-2, 343, 376, 389-91, 399
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE20139
Archival context
Object numberPA-F02094-0025
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Hystorical Subjects (Helmut von Erffa and Allen Staley catalogue catalogue, I-III)
- Item:Alexander Iii, King of Scotland, Rescued From the Fury of a Stag by the Intrepidity of Colin Fitzgerald
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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