Elizabeth Farren, Later Countess Of Derby (C. 1759-1829)
Represented work of art
Artist
Thomas Lawrence
Dimensions2.388 x 1.461 (94 x 57 1/2 inches)
Subject
Provenance
- 12th Earl of Derby; sitter's daughter, who m. 2nd Earl of Wilton; 4th or 5th Earl's sale to Ludwig Neuman by 1904; J. Pierpont Morgan by 1906; Edward S. Harkness in or c. 1935, who bequeathed it to in 1940; The Metropolitan Museum of Art, New York
Exhibition history
- Metropolitan Museum of Art, New York, Masterpieces of Fifty Centuries, 1970 (33); National Portrait Gallery, Sir Thomas Lawrence, 1979/80 (4)
Publication history
- K. Garlick, Sir Thomas Lawrence, 1954, p. 37; and A catalogue of the paintings, drawings and pastels of Sir Thomas Lawrence, Walpole Society, Vol. XXXIX, 1962-4, p. 79
Photographic source
Object FormatPhotographic Print
Photograph Source
Metropolitan Museum
Negative Number148470
Archival context
Object numberPA-F03776-0079
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits Female, Identified, A-Z
- Item:Elizabeth Farren, Later Countess Of Derby (C. 1759-1829)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Data Formats
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