Images(2)

A Pastoral

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Represented work of art

Artist Frederic Leighton

Dimensions1.32 x 0.68 (52 x 26 3/4 inches)

Work type

paintings

Provenance

Thomas Ashton Esq; James Ashton in 1906; Fine Art Society Ltd. , London (1977)

Exhibition history

Royal Academy of Arts 1867 (34); Royal Jubilee exhn. , Manchester 1887 (439); Royal Academy Of Arts Winter 1897 (21); FAS, Victorian Painting Nov-Dec 1977 (29)

Publication history

E. Rhys 'Sir Frederic Leighton Bart Royal Academy of Arts' (Bell 1895) pp. 15, 67; Mrs Russel Barrington 'The Life, Letters and Work of Frederic Leighton' (1906) Vol. II pp 125, 284; E. Staley 'Lord Leighton of Stretton, Royal Academy of Arts' (Walter Scott 1906) p. 235; Arts Journal 1887 Vol. 50 p. 251; The Athenaeum 1867 No. 2062 p. 594; '' '' 1897 No. 3617 p. 252; Alice Corkran, Frederic Leighton (Methuen 1940) pp. 61, 201; Ormond, Lord Leighton (Yale University Press 1975) pp. 87, 157, Cat. No. 126

Photographic source

Object FormatPhotographic Print

Photograph Source The Fine Art Society

Negative Number2299

Archival context

Object numberPA-F04047-0007

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:Subject paintings: Two figures
Item:A Pastoral

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

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