The Woodman's Daughter
Represented work of art
Artist
John Everett Millais
Dimensions0.888 x 0.647 (35 x 25 1/2 inches0
Inscription
- Signed: J. MillaiSigned and datedated 1851
Provenance
- Henry Hodgkinson; Mrs Hodgkinson, by 1886; Lady Millais, daughter-in-law of the artist, by 1898; Lord Bearsted, who presented it to: Guildhall Art Gallery (1921)
Exhibition history
- Royal Academy of Arts 1851 (799); Grosvenor Gallery, 1886 (115); Royal Academy of Arts, 1896 (33); Liverpool, 1921; Bradford 1925; Birmingham, 1947 (56); Lady Lever Gallery, Port Sunlight, 1948; Bournemouth, 1951. ; Royal Academy Of Arts, The First Hundred Years Of the Royal Academy of Arts, 1951-52 (277); Tate Gallery The Pre-Raphaelite 1984 (32)
Publication history
- M. H. Spielmann, Millais and His Works, 1898, pp. 89, 109 ff. ; J. G. Millais, The Life and Letters of Sir John Everett Millais, 1899, I, pp. 97, 109 ff. (Repr. )
Photographic source
Object FormatPhotographic Print
Photograph Source
Royal Academy of Arts
Negative Number277
Archival context
Object numberPA-F04228-0043
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Subject Pictures (More than one figure)
- Item:The Woodman's Daughter
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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