Genoa
Represented work of art
Material
Dimensions0.37 x 0.543 (14 9/16 x 21 3/8 inches)
Work type
Technique
- painting (image-making)
Provenance
- General Rawdon; William Quilter; his sale, Christie's, 9 April 1875 (236), as 'Geneva', bought In; his sale Christie's, 18 may 1889 (96) as 'Geneva', bought By P. & D. Colnaghi & Co. Ltd.; Mrs Lees, from whom bought By Agnew's, 1910; from whom bought By James T. Blair, 1911, bequeathed by him to: -; the City Art Gallery, Manchester, 1917
Exhibition history
- Leeds, National Exhibition of Works of Art, 1868 (2069) (View of Geneva. . . . Lent by W. Quilter); Royal Academy of Arts, Old Masters, 1873 (372) as the Lake of Geneva, lent by W. Quilter; London, Agnew's, 46th Annual Water-colour Exhibition, 1911 (185); Manchester, City Art Gallery, Drawings and Pastels, 1912 (71) as Genoa, lent by J. Blair; Liverpool, Walker Art Gallery, Water-Colour Drawings and Paintings, 1921 (227) as Genoa; Leeds, Loan Exhibition of Works of J. M. W. Turner, 1925 (122); Manchester, City Art Gallery, Water-Colour Drawings by J. M. W. Turner, 1938; Manchester, City Art Gallery, Watercolours by J. M. W. Turner, Royal Academy of Arts, 1952/53 (70); Whitechapel Art Gallery, J. M. W. Turner, Royal Academy of Arts (1775-1851), 1953 (213); Bordeaux, Delacroix, Ses Maitres, ses Amis, ses Eleves, 1963 (353); London, Thos. Agnew, english Watercolours and Drawings from the manchester City Art Gallery, October 1977 (100) q. V.
Publication history
- W. Armstrong, Turner, 1902, p. 254 (as 'Geneva') John Russel and Andrew Wilton, Turner in Switzerland, 1976, p. 140, no. 99
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Manchester Art Galleries
Archival context
Object numberPA-F05206-0049
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Lanscapes: Italy, Identified, A-Z; Unidentified; Watercolours
- Item:Genoa
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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