Sion Near The Simplon Pass
Represented work of art
Material
Dimensions0.38 x 0.552 (15 x 21 3/4 inches)
Work type
Subject
Technique
- painting (image-making)
Provenance
- ? L. B. Mozley sale, Christie's, 27 May 1865 (184? ), As Sion In Switzerland", bought By Agnew's from whom tb. By John Fowler, 3 June 1864. E. F. White, from whom bought By Agnew's, 1887, from whom bought By Dr. David Lloyd Roberts, 1890, bequeathed by him to the City Art Gallery, Manchester 1920"
Exhibition history
- Glasgow, International Exhibition, 1901 (815); Liverpool, Walker Art Gallery, Water Colour Drawings by Deceased British Artists, 1912 (35); Newcastle-on-Tyne, Special Loan Collection of Paintings in oil, water colour, etc. , By J, M, W, Turner, Royal Academy Of Arts, 1924 (145); Manchester, City Art Gallery, Water-Colour Drawings By J. M. W. Turner, Royal Academy of Arts, 1952-3 (65); Whitechapel Art Gallery J. M. W. Turner, Royal Academy of Arts, 1775--1851, 1953 (205); Liverpool, Walker Art Gallery, British Artists Abroad, 1750-1860, 1960 (17); Washington, National Gallery of Art, New York, Metropolitan Museum, English Drawings and Watercolours from British Collections, 1962 (83); Liverpool, Walker Art Gallery, Watercolours by J. M. W. Turner, 1966 (45); London, Thos. Agnew, English Watercolours and Drawings from the Manchester City Art Gallery, October 1977 (112) q. V.
Publication history
- W. Armstrong, Turner, 1902, p. 277
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Manchester Art Galleries
Archival context
Object numberPA-F05207-0087
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: Switzerland, Identified, A-Z; Unidentified; Watercolours
- Item:Sion Near The Simplon Pass
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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