The Deluge
Represented work of art
Artist
Francis Danby
Material
Dimensions2.845 x 4.52 (112 x 178 inches)
Work type
Provenance
- Bought from artist by William Jones, Rutland Gate, London, his sale, Christie's, 8 May 1852 (125), bought by Jones family; thence by descent to Herbert family; Miss Gladys Herbert, Cytha, Monmouthshire; bought for Paul Mellon (1907–1999), 1968; bought by Tate Gallery, 1971
Exhibition history
- Piccadilly, London, 1840; Horticultural Rooms, Bristol, 1840; Dublin, Irish International Exhibition, 1853 (371)
Publication history
- Eric Adams, Francis Danby, 1973 / L.179/ (47) fig.65; The Tate Gallery Report 1970-1972, p.55 (T1337)
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number72/C0148
Date of photograph
- 1972
Archival context
Object numberPA-F06985-0077
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: (included in Eric Adams catalogue)
- Item:The Deluge
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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