PORTRAIT OF ANNE, LADY WENTWORTH (D. 1625), WIFE OF HENRY, 3RD BARON WENTWORTH (D. 1593), AND HER CHILDREN, THOMAS (1591-1667), JANE (B. 1592) AND HENRY (1594-1644)
Represented work of art
Dimensions95 1/2 x 64 1/2 inches (242.5 x 164 cm)
Subject
Provenance
- Painted for Anne, Lady Wentworth (d. 1625) and her husband Sir William Pope, 1 Earl of Downe; Probably direct descent to her son Thomas (one of the sitters), 4 Baron Wentworth and Earl of Cleveland; Probably descent to his granddaughter Henrietta Maria, Baroness Wentworth; Probably by inheritance to her aunt, Anne, Baroness Wentworth and Dowager Baroness Lovelace of Hurley; Probably descent to her granddaughter Martha, Baroness Wentworth; Probably descent to her step-daughter Anne Johnson, who married Thomas Wentworth, 1 Earl of Strafford, Baron Raby; Probably direct descent to his son William Wentworth, 2 Earl of Strafford; Probably by inheritance to Frederick Thomas Wentworth, 3 Earl of Strafford; Probably descent to his sister Augusta Wentworth; Probably by inheritance to Frederick W. T. Vernon-Wentworth; direct descent to his son Thomas F. C. Vernon-Wentworth; direct descent to his son Captain Bruce Canning Vernon-Wentworth, Wentworth Castle, by whom sold in 1919; acquired by Francis Howard Esq., By whom sold, Christie's, 25 November 1955 (80) for £120 to Brigadier R. O. Spence, by whom loaned to Birmingham Art Gallery in 1957; Anonymous sale, Sotheby's London, 23 November 2006 (13)
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F07942-0003
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits, Groups
- Item:PORTRAIT OF ANNE, LADY WENTWORTH (D. 1625), WIFE OF HENRY, 3RD BARON WENTWORTH (D. 1593), AND HER CHILDREN, THOMAS (1591-1667), JANE (B. 1592) AND HENRY (1594-1644)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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