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Rienzi Vowing To Obtain Justice For The Death Of His Young Brother

Represented work of art
Dimensions0.865 x 1.22 (34 x 48 inches)
Work type
Inscription
  • Signed Inscribed: P. R. B. And d. 1849
Provenance
  • John Gibbons, 1849; Mrs Gibbons, 1863; Mr Earl, 1863; P. W. Cosens, 1886; Mr Clarke 1926; Thomas Clarke 1926, Mrs E. M. Clarke; C. S. Clarke, his sale Sotheby's Belgravia, 27 March 1973 (41), bought Woollett & Son.
Exhibition history
  • Royal Academy of Arts, 1849 (324); Fine Art Soc. 1886; Walker Art Gallery, 1907 (23); Royal Academy of Arts First Hundred Years of the Royal Academy of Arts 1951-2 (296); Detroit and Philadelphia, Romantic Art in Britain Paintings and Drawings, 1760-1860, 1968, (215); Walker Art Gallery, William Holman Hunt, 1969 (12); Victoria and Albert Museum William Holman Hunt, 1969 (12); Paris, La Peinture Romantique et les Pre-Raphaelites 1972, (142); Whitechapel Art Gallery, The Pre-Raphaelites, 1972 (142); Tate Gallery, The pre-raphaelites 1984 (17)
Publication history
  • The Athenaeum, 1849, p. 575; The Art Journal, 1849, p. 324; 1858, p. 309; Contemporary Review, 1886, pp. 480, 483; The Magazine of Art, pp. 80, (repr. )-85; W. M. Rossetti, Pre-Raphaelite Diaries and letters 1900, pp. 213-14, 216; William Holman Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, 195. I. Pp. 74 et seq. II, p. 343 1913 (2nd Edit), I, pp. 74 et seq; II, p. 349; D. Von Schleinitz, William Holman Hunt, 1907, p. 20; Bulwer Lytton, Letter to Hunt, n. D. (John Rylands Library, Manchester); William Holman Hunt, Catalogue for the 1969 exh. At the Walker Art Gallery and Victoria and Albert museum p. 23. ; Soth. Bel. 27 Mar 1973 (41).
Photographic source
Object FormatPhotographic Print
Photograph Source
Negative NumberB2079
Archival context
Object numberPA-F08038-0049
Archival context
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.
Rights and reproductions
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