The Battle of La Hogue
Represented work of art
Artist
Benjamin West
Dimensions64 1/2 x 96 inches (164 x 244 cm)
Work type
Subject
Inscription
- Signed and dated: B. West 1778 Retouched 1806 on the stern of Admiral Rooke"s boat
Provenance
- Offered by West to the Pennsylvania Academy in 1809; Offered by his sons to the United States in 1826; by whom sold London, George Robins, 22-25 May 1829 (101) bought Monckton; Hon. John Monckton London and Fineshade Abbey, Stamford; Edward P. Monckton by 1888; Thence by descent to Edward Philip Monckton, Thence by descent to his son George Edward Monckton, by whom sold Sotheby's London, 10 February 1921 (3), with Sutton; with Sigmund Samuel, Toronto by 1952; Leslie W. Lewis, Toronto; Will Bradley Chapoton, Leamington, Ontario by 1952-58; with Bernard Feldman, Philadelphia; with Victor D. Spark, New York; with James Graham and Sons, New York 1958-64; purchased by The Metropolitan Museum of Art, New York in 1964 (Harris Brisbane Dick Fund; Anonymous sale, Sotheby's New York, 26 January 2006 (52)
Publication history
- von Erffa and Staley, The Paintings of Benjamin West, 1986, cat. No. 91
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F02094-0037
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Hystorical Subjects (Helmut von Erffa and Allen Staley catalogue catalogue, I-III)
- Item:The Battle of La Hogue
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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