Master Baby
Represented work of art
Artist
William Quiller Orchardson
Dimensions1.079 x 1.663 (42 1/4 x 65 1/2 inches)
Work type
Inscription
- Inscribed lower left: W.Q.O.86.
Provenance
- Lady Orchardson until 1906; purchased by James mccullouch; Mrs Coutts Michie; George mccullouch; his sale Christie's, 29. 5. 1913 (179), bought Sir Hugh Lane; purchased 1913 with the aid of anonymous donor: ; National Gallery of Scotland.
Exhibition history
- 1886 Grosvenor Gallery, Annual Exhibition. (31); 1887 Royal Scottish Academy (344); 1887 Liverpool Autumn Exhibition. (52); 1888 'Glasgow International' (445) Lent by Mrs Orchardson; 1901 Johannesburg Art Gallery; 1909 Royal Academy of Arts Winter (290); 1911 Royal Scottish Academy (96) lent by Mrs. Coutts Michie; Exh 1928 Kirkcaldy Art Gallery: July and August (59); 1939 Royal Academy of Arts Winter (270); Scottish Ats Council, Sir William Quiller Orchardson Royal Academy of Arts, 1972 (travelling) (48); Edinburgh, N. G. S. R. S. Lander and his Pupils, 193 (101)
Publication history
- The Athenaeum 1886, Vol I, p.591; The Art Journal 1886, p.188; The Art Annual, Christmas no. 1897. The Life and Work of William Q. Orchardson, by James Stanley Little, p.30; James L. Caw, Scottish Painting Past and Present, (1908) p.239); H.O. Gray, Life of Orchardson (1930) pp.256, 270, 313; W.R. Sickert (ed. O. Sitwell): A Free House, (London 1947), p.149.
Photographic source
Object FormatPhotographic Print
Photograph Source
Scottish National Gallery
Archival context
Object numberPA-F02301-0029
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Subject paintings
- Item:Master Baby
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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