La Mandolinata
Represented work of art
Artist
Dante Gabriel Rossetti
Material
Dimensions35 1/2 x 27 1/2 in (90 x 70 cm)
Subject
Inscription
- Signed with monogram and dated: 1869 (u.right)
Provenance
- Purchased from the artist by Thos. Agnew & Sons, 17 March 1870, for 80 gns (Agnew's stock no. 9659 and entitled La Mandoline), Sold to John Dearman Birchall (1828-1897), 5 March 1872; His widow Emily Birchall, and thence by descent; Sold as part of the contents of Bowden Hall, Upton St Leonards, Gloucestershire, 26-27 May 1926 (purchased by Brooks of Birmingham for 5 gns), Christie's London, 6 July 1928, lot 56 (14 gns to Adams), Christie's London, 30 July 1928, lot 35 (11 gns), Spencer & Co, Antiquarian Booksellers, New Oxford Street, London, 1938; Dr A. Joseph Armstrong; His widow, Mrs Mary Maxwell Armstrong; Mr and Mrs Richard Maxwell Armstrong; Sotheby's, London, 9 June 1998, lot 29 (unsold), Mrs Katherine M. Armstrong; By descent to the present owner; Property from the Estate of Katherine M. Armstrong; Anonymous sale, Sotheby's London, 15 July 2009 (12)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F04581-0019
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Female unnamed portraits and single figures
- Item:La Mandolinata
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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