The Dance of the Hours, the Seasons, Aurora, the Goddess of Morning, and the Figure of Night
Represented work of art
Dimensions2.793 (110 inches diameter)
Subject
Provenance
- Commissioned by George Grenville 1 Marquis of Buckingham, 1788 for the Music Room at Stow; Collection. David Style, His sale, Wateringbury, Christie's, 1 June 1978 (352)
Publication history
- Briton and Brayley, Beauties of England, 1800; Michael Gibbon, A Forgotten Italian at Stowe, Country Life, August 1966 (p. 261);
Current owner
Stowe House
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number903612
Archival context
Object numberPA-F00097-0003
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Decorative Painting
- Folder:Stowe House
- Item:The Dance of the Hours, the Seasons, Aurora, the Goddess of Morning, and the Figure of Night
ClassificationsArchival Document
Scope and content This series comprises a small group of images focused exclusively on decorative painting. Images are organised by location, as follows: · London and UK, various individual houses (6 boxes) · Greenwich (1 box) · Ham House (1 box) · Hampton Court (1 box) · Kensington Palace (1 box) · London churches (1 box) · Wallington (1 box) · Whitehall (1 box). Photographs used in the publication of Early Georgian Interiors by John Cornforth (London: Yale University Press, 2004) are also included in this series.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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