Hare Hunting
Represented work of art
Artist
Francis Barlow
Dimensions6 3/4 x 9 3/4 (17 x 24.7)
Work type
Provenance
- Purchased from P. & D. Colnaghi & Co. Ltd., July 1961; Leonard G. Duke (1890-1971)
Exhibition history
- British Art, Burlington House, 1934 (538), Stuart Drawings, Bristol City Art Gallery 1952 (4); Old Master Drawings, Royal Academy, Burlington House 1953 (441); The Age of Charles II, Royal Academy, Burlington House, Winter 1961 (378); English Drawings and Watercolours from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, Feb. -Mar. 1962 (2, repr. ); Painting in England 1700-1850, Virginia Museum of Fine Art, Richmond, April-August 1963 (389); Legion Hall, Aldeburgh 1964 ( ); English Drawings and Watercolours, Colnaghi, London, December 1964- Jan. 1963 (3. repr. ); English Drawings and Watercolours, Yale University Art Gallery, New Haven, April-June 1965 (3, repr. );
Publication history
- John Woodward, Tudor and Stuart Drawings 1951, p. 48 Whinney and Millar, English Art 1625-1714, Oxford 1957, pl. 78b; Repr: Rose Macaulay, Life Among the English" The Field, 30th December 1933 p. 27"
Previous owner
Paul Mellon
(1907-1999)
Previous owner
Leonard G. Duke
(1890 - 1971)
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number1035
Archival context
Object numberPA-F00162-0009
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Paul Mellon Collection of Prints and Drawings
- Folder:PA-F00162
- Item:Hare Hunting
ClassificationsArchival Document
Scope and content This series comprises images of a collection of works on paper (drawings, watercolours, prints) formerly owned by the American philanthropist, Paul Mellon. The collection has now been divided and paintings are owned by the following institutions: the Yale Center for British Art, New Haven; the National Gallery of Art, Washington DC; Virginia Museum of Fine Art, Richmond; and the Paul Mellon private collection. The Photographic Archive does not include images of every print or drawing owned by Paul Mellon.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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