View On The Thames From York Stairs Showing Westminster Bridge
Represented work of art
Artist
Canaletto
Material
Dimensions15 1/4 x 28 1/4 (38.7 x 71.8)
Work type
Provenance
- Purchased from P. & D. Colnaghi & Co. Ltd., August 1961 LBHKEE; Robert Prioleau Roupell (Christie's, cat. 12 July 1887), J. P. Heseltine, 28 May 1935.
Exhibition history
- Whitechapel, St. Jude's, 1888 (176); Venetian Art, New Galery, 1894-5, (322); Whitechapel Art Gallery, 1911, (II); Early Drawings and Pictures of London, Burlington Fine Arts Club, 1919, (II); Grosvenor Galley 1935; European Masters of the Eighteenth Century, Royal Academy, London, 1954 (582); Canaletto in England, Guildhall Art Gallery, London, June-July 1959, (53); Painting in England 1700-1850, Virginia Museum of Fine Arts, Richmond, 1963 (477); English Drawings and Watercolours, Colnaghi, London, December 1964-Jan. 1965, (7, repr. ); Yale University Art Gallery, New Haven, April-June 1965, (7, repr. )
Publication history
- Beresford Chancellor, 18th Century London, 1920, p. 154 Mrs Finberg, Walpole Society, A Catalogue Raisonne of Canaletto's English Views, 1921, Vol. IX, p. 69, Pl. XXXIII. W. G. Constable, Canaletto, Oxford, 1962, p. 529, no. 747
Previous owner
Paul Mellon
(1907-1999)
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number2086
Archival context
Object numberPA-F00281-0009
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Paul Mellon Collection of Prints and Drawings
- Folder:PA-F00281
- Item:View On The Thames From York Stairs Showing Westminster Bridge
ClassificationsArchival Document
Scope and content This series comprises images of a collection of works on paper (drawings, watercolours, prints) formerly owned by the American philanthropist, Paul Mellon. The collection has now been divided and paintings are owned by the following institutions: the Yale Center for British Art, New Haven; the National Gallery of Art, Washington DC; Virginia Museum of Fine Art, Richmond; and the Paul Mellon private collection. The Photographic Archive does not include images of every print or drawing owned by Paul Mellon.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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