The Burke Family By A Stream In Woodland Setting, The Parents To The Right And The Children With Fishing Rod And Reel In The Foreground, Another Gentleman Seated To The Left
Represented work of art
Artist
Johann Zoffany
Material
Dimensions0.99 x 0.82 (29 x 32 inches)
Work type
Subject
Provenance
- Mr Burke's youngest daughter, Elizabeth, Zoffany's god-child, married General Sir Richard Burke, K. C. B. , Governor Of New South Wales 1831-7. The painting passed to her and then to her daughter Mary Jane, who in 1827 married Dudley Montagu Perceval fourth son of the Prime Minister, the Rt. Hon. Spencer Perceval M. P. The present owner is their grandson, Anonymous sale, Sotheby's 23 November 1977 (40)
Exhibition history
- The Holburne-Menstrie Museum, Bath;
Publication history
- Lady Victoria Manners and G. C. Williamson, John Zoffany, R. A. , (P. 157 and his illustrated in colour between pp. 156-157)
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM16784
Archival context
Object numberPA-F01700-0049
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Group portraitse, A-G (except Royal)
- Item:The Burke Family By A Stream In Woodland Setting, The Parents To The Right And The Children With Fishing Rod And Reel In The Foreground, Another Gentleman Seated To The Left
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Data Formats
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