Self-Portrait
Represented work of art
Artist
George Frederick Watts
Dimensions1.54 x 0.71 (60 1/2 x 28 inches)
Work type
Subject
Provenance
- Collection. The Artist's family by descent; Anonymous sale, Sotheby's Belgravia, ; 1 October 1979 (33)
Exhibition history
- Royal Academy of Arts, 1905, Winter Works by the Late George Frederick Watts, O. M. , Royal Academy Of Arts, and the late Frederick Sandys, (9); Manchester City Art Gallery, 1905, G. F. Watts Memorial Exhibition, (7); Newcastle, Laing Art Gallery, 1905, Special Loan Collection of Works by the Late G. F. Watts, O. M. , Royal Academy Of Arts, (42); Edinburg, Royal Society of Arts, 1905, Memorial Exhibition of the Works of George Frederick Watts, O. M. , Royal Academy Of Arts, (53); Dublin, Royal Hibernian Academy, 1906, Watts, Memorial Exhibition, (54); Manchester City Art Gallery and Minneapolis Institute of Arts, Victorian High Renaissance, 1978-9 (9);
Publication history
- see. J. Ernest Plythian, George Frederick Watts, New York, 1906, p.173; see. Catalogue of the Works of G.F. Watts, compiled by his widow (3 MS vols. by M.S. Watts). Watts Gallery, Compton, vol.II,(167);
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberB35329
Archival context
Object numberPA-F01938-0055
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Portraits Male, Identified, A-Z
- Item:Self-Portrait
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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