Images(2)

Sheep Washing at Fisherton Mill, near Wylye, Wiltshire

Download image file

Compare

Download record as PDF

Permalink

Represented work of art

Artist David Wilkie

Material

Dimensions0.46 x 0.59 (18 x 23 1/4 inches)

Work type

paintings

Subject

landscapes (representations)

Provenance

John Allnutt, his sale Christie's, 18 June 1863 (491) bought Rought; Duncan Fletcher his sale Christie's, 20 May 1865 (29), bought Agnew's; Samuel Mendel, his sale Christie's, 23 April 1875 (323) bought Cox; H. Houseman; White; Christie's, 15 July 1910 (107), A. M. Wilson, his sale Christie's, 3 April 1914 (29), bought Agnew's; Henry J. Mullen, his sale Christie's, 21 March 1924 (146), F. E. Higson; Ae. E. Higson, his sale Sotheby's, 18 March 1981 (87)

Exhibition history

British Institution 1842 (127); British Institution 1860 (172); Royal Academy of Arts, 1907 (78); Whitechapel Gallery 1907 (78)

Previous owner Thomas Agnew and Sons Ltd.

Photographic source

Object FormatPhotographic Print

Photograph Source Sotheby's Auction House

Negative NumberM44905

Archival context

Object numberPA-F02147-0011

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:Landscapes; Animals; Oils
Item:Sheep Washing at Fisherton Mill, near Wylye, Wiltshire

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

Conditions for onward use of this image are determined by its licence. Learn more.

Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

Data Formats

Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.

Tell us more

Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.