Sir Theodore Turquet De Mayerne
Represented work of art
Artist
Peter Paul Rubens
Dimensions1.13 x 0.89 (44 1/2 x 35 inches)
Provenance
- Possibly Marquis of Lansdowne, 1806; Possibly John Hoppner, R. A. 1810. Dr James Aspell, New York, 1936; John Wanamaker 1938; George Calvert; American Art Galleries, sale, 1938; Colonel Paul, 1944; Property of the late Morris I. Kaplan, sale, Sotheby's London, June 12, 1968 (25), Anonymous sale, Christie's, (N. Y.) January 11, 1989 (180)
Exhibition history
- Detroit Institute of Arts Peter Paul Rubens 1936 (32); Atlanta Museum 1939; Milwaukee Art Institute 1942; Schaeffer and Brandt, Inc. New York Peter Paul Rubens A Loan Exhibition 1942 (12); Chicago Art Instite
Publication history
- David Piper Catalogue of 17th Century Portraits in the National Portrait Gallery 1625-1714 1963 p. 229; Charles Davis Rubens and Mayerne unpublished dissertation, University of N. Carolina at Chapel Hill 1967 passim q. V. Cat.
Photographic source
Object FormatCatalogue cutting
Photograph Source
Christie's Auction House
Negative Number8822062
Archival context
Object numberPA-F02211-0005
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02211
- Item:Sir Theodore Turquet De Mayerne
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
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