Kitty Fisher As Cleopatra Dissolving A Pearl (d.C.1767)
Represented work of art
Artist
Joshua Reynolds
Dimensions0.762 x 0.635 (30 x 25 inches)
Provenance
- Sir C. Bingham (Note In sitter-book 1759), Baron Boringdon (later 1 Earl Morley ny 1813; Morley sale, Christie's, 3 June 1876 (43), bought Howard for Baron F. De Rothschild; sold by him to Agnew, 188; Earl of Iveagh 1888, bequeathed by him, 1927 to; Kenwood
Exhibition history
- British Institute, 1813 (141 or 132 in some catalogues); Royal Academy of Arts, 1876 (39) and 1928 (236); International Exhibition, 1862 (68); National Portrait Gallery, 1867 (630); Manchester 1928 (41); Rome 1959 (538)
Publication history
- Leslie and Taylor, Life and Times of Sir Joshua Reynolds, Vol. I, PP.163-5, 173, 176; (1865); Graves and Cronin, A History of the Works of Sir J.Reynolds, 1899-1901, Vol. I, pp.307-8, IV, p.1309; Waterhouse, Reynolds, 1941, pp.45, 121 and p1.59; E.Wind, Journal of the Warburg Institute, Vol.II, 1938-9, p.182 ff. (with rep. of Trevisani's Cleopatra)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Greater London Council
Negative Number60/3024
Archival context
Object numberPA-F02382-0147
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02382
- Item:Kitty Fisher As Cleopatra Dissolving A Pearl (d.C.1767)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
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