Portrait of Frances, Marchioness of Granby (1728-1760) in a White Dress with Ermine Lined Cloak
Represented work of art
Artist
Joshua Reynolds
Dimensions30 1/4 x 24 1/4 inches (76.9 x 64.1 cm)
Provenance
- Paid for to Henry mccalmont of Cheveley Park; Major D. McCalmoby Charlotte, Duchess of Somerset (the sitter's mother), 12 September 1763 (40gns), Her daughter, Charlotte, Countess of Aylesford; Sold by the Earl of Aylesford sale 26 November 1920 (113), Marian Blacklock Miller (†), Anonymous sale, Sotheby's New York, 2 April 1996 (41) erroneously described as 'oil on paper laid down on canvas' (sold $14, 950), Anonymous sale, Christie's London, 11 June 2004 (26)
Publication history
- D. Mannings, Sir Joshua Reynolds, A Complete Catalogue of his Paintings, 2000, p. 321, no. 1190 and 1190a (two entries for what is now believed to be the same picture), fig. 326
Photographic source
Object FormatDigital Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F02465-0229
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02465
- Item:Portrait of Frances, Marchioness of Granby (1728-1760) in a White Dress with Ermine Lined Cloak
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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