The Monkey Who Had Seen The World (Also Called The Travelling Monkey)
Represented work of art
Artist
Edwin Landseer
Dimensions0.47 x 0.546 (18 1/2 x 21 1/4 inches)
Work type
Provenance
- Gen. Sir Henry Bunbury, 7th bought ; Thomas Baring M. P. , Thomas, 2nd Baron And 1st Earl Of Northbrook; Charles Gassiot, his bequest to the Corporation of London, 1902.
Exhibition history
- Royal Academy of Arts 1827 (128); London 1874 (369); Philadelphia, International Exhibition 1876 (86); Tate Gallery Sir Edwin Landseer (20) 1982
Publication history
- Graves 1876, p 12, (131); Manson 1902 pp 65-66; Catalogue of Works of Art Belonging to the Corporation of London (London 1910) p 232, (690); Whitley 1930 p. 129; Lennie 1976 p. 42
Photographic source
Object FormatPhotographic Print
Photograph Source
Guildhall Art Gallery
Archival context
Object numberPA-F02543-0047
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oils: Animals (other than dogs) or horses
- Item:The Monkey Who Had Seen The World (Also Called The Travelling Monkey)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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