Mrs. Margaret Stewart Of Physgill And Glasserton, Wigtownshire
Represented work of art
Artist
Henry Raeburn
Dimensions2.386 x 1.523 (94 x 60 inches)
Subject
Provenance
- Robert Johnson Stewart; Messr. Duveen; Sir George A. Cooper, bought Agnew's 1987
Exhibition history
- Edinburgh, Raeburn Exhibition, 1824; Glasgow, Empire Exhibition, 1938 (23); Royal Academy of Arts, Exhibition of Scottish Art, 1939 (112); Ashmolean Museum, On Loan, 1941-5; Osterley Park, On Loan, 1956-82; Agnew, The Heroic Age, June - August, 1984 (21); Agnew, British painting of three centuries 1987 (22)
Publication history
- Sir Walker Armstrong, Sir Henry Raeburn, 1901 p.112; W. D. McKay, Raeburn's Technique: Its Affinities With Modern Painting, Studio 1908, p.16; J. Greig, Raeburn, 1911, p.60; A Catalogue of the Pictures by Old Masters of the English School and Works of Art Forming the Collection of Sir George A. Cooper, Bt., 1912, p.37; A. Yockney, Scottish Painters of the Empire Exhibition, Apolla, July 1938, p.3
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Thomas Agnew and Sons Ltd.
Archival context
Object numberPA-F02494-0117
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Female, A-Z (single sitters)
- Item:Mrs. Margaret Stewart Of Physgill And Glasserton, Wigtownshire
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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