A Grotto in the Gulf of Salerno, Evening
Represented work of art
Artist
Joseph Wright of Derby
Material
Dimensions11 1/4 x 18 1/2 inches (28.5 x 46.9 cm)
Work type
Subject
Provenance
- Presented together by the artist's executors 1798 to John Leigh Philips (†), Winstanley and Taylor, Manchester, 31 October 1814 (50) (sold 10 gns to Thomas), Thomas Hardman, Manchester; sale Manchester 19 October 1828 bought J. M. Wayne, given 1893 to his son, Henry Wayne; The Wayne Picture Settlement; Property from a Private Collection; Anonymous sale, Christie's London, 5 June 2007 (Lot 31-part)
Publication history
- B. Nicolson: Joseph Wright of Derby, Painter of Light, 1968, under nos. 279-280 illust.
Photographic source
Object FormatDigital Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F02799-0009
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Landscapes, Unidentified
- Item:A Grotto in the Gulf of Salerno, Evening
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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