Philip Herbert, 4th Earl Of Pembroke And 1st Earl Of Montgomery (1584 - 1649)
Represented work of art
Artist
Anthony van Dyck
Dimensions1.335 x 1.08 (52 1/2 x 42 1/2 inches)
Subject
Provenance
- By descent to the Hon. James Herbert (d. 1677) 6 son of the sitter, who m. Jane Spiller of Tythrop House, Oxfordshire; By descent to the Hon. Sophia Wenman, his gt. - Granddaughter, who m. Philip, 6 Viscount Wenman (1719 - 1760), The Hon. Sophia Wenman, their daughter (1743 - 1792) who ma. W. H. Wykeham (1734 - 1783), By family descent to A. H. H. Wykeham their gt. Gt. - Grandson, his sale of the contents of Tythrop House, sold by Sotheby's, 22 August 1933, (400), bought Agnew's on behalf of the late owner; Estate of James R. Herbert Boone, sold for the benefit of John Hopkins University, Baltimore, sale, Sotheby's, 16 November 1988 (27)
Exhibition history
- Royal Academy of Arts Exhibition of the Works of the Old Masters 1883 (199)
Publication history
- Catalogue of Pictures at Wilton compiled by Sidney, 16th Earl of Pembroke, 1968 p. 61
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE23784
Archival context
Object numberPA-F02987-0069
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits, Male, Identified, A-K
- Item:Philip Herbert, 4th Earl Of Pembroke And 1st Earl Of Montgomery (1584 - 1649)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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