Anne Cavendish, Lady Rich
Represented work of art
Artist
Anthony van Dyck
Dimensions1.296 x 2.212 987 1/2 x 51 inches)
Subject
Inscription
- Inscribed Anne wife of Robert Lord Rich Daughter of the Earle- of Devonshire about 1637. P. Sr. Ant. : Vandike
Provenance
- Philip, Baron Wharton (1613-1690), Sir Robert Walpole, later Earl of Orford, after the attainder of the Duke of Wharton in 1729; his sale, 1751, 2 day (54), Acquired by the Earl of Hardwicke for Wrest Park, perhaps c. 1780, thence by descent with the Barony of Lucas; Anonymous sale, Christie's, 24 April 1987 (71), Property from the Estate of Mr and Mrs William D. Grave; Anonymous sale, Christie's New York, 28 January 2009 (32)
Exhibition history
- National Gallery, on loan c. 1945-c. 1965 London Portrait Gallery Van Dyck in England Nov. 1982-March 1983, (33)
Publication history
- L. Cust Anthony Van Dyck 1911 p 282 (175) Horace Walpole's Journals The Walpole Society XV 1927-8 p 40
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number104954
Archival context
Object numberPA-F02985-0033
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Female, M-Z
- Item:Anne Cavendish, Lady Rich
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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