Possibly Thomas Starkie, Mayor Of Preston In 1754 And His Wife In The Grounds Of A House Possibly Frenchwood House, Preston
Represented work of art
Artist
Arthur Devis
(1712–1787)
Dimensions0.736 x 0.609 ( 29 x 24 inches )
Subject
Provenance
- The Late Mrs Robert Tritton, sale, Christie's, 15 July 1983 (56) Anonymous sale, Sotheby's, 15 July 1987 (50), Anonymous sale, Sotheby's, 15 March 1990 (54), Anonymous sale, Sotheby's, 18 November 1991 (39)
Exhibition history
- Kenwood, The Conversation Piece in Georgian England June-September 1965 (13)
Publication history
- S.H. Paviere, The Devis Family of Painters 1950 p 48 (8) Christopher Neve, Arthur devis; A Minor English Master, Country Life Annual 1972 (45); Ellen . G.D'Oench The Conversation Piece: Arthur Devis and his Contemporaries 1980 p 92 (244)
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number3631
Archival context
Object numberPA-F03089-0027
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Groups Identified, A-Z
- Item:Possibly Thomas Starkie, Mayor Of Preston In 1754 And His Wife In The Grounds Of A House Possibly Frenchwood House, Preston
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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