Glastonbury Abbey, Somerset
Represented work of art
Artist
Thomas Gainsborough
DimensionsOverall: 16.5 x 21 cm
Date made
- ca. 1782
Inscription
- Inscribed indistinctly in a later hand:"Glastonbury Abby/ T Gainsborough"
Provenance
- A. G. B. Russell (Lugt 2770a), his sale Sotheby's, 11 July 1928 (47), bought Maser The Late Sir John and Lady Witt, sale. Sotheby's, 19 February 1987 (67).
Exhibition history
- Courtauld Institute Galleries, The John Witt Collection Part II: English School, 1963 (22); Tate Gallery, Thomas Gainsborough, October 1980–January 1981 (32); National Gallery of Art, Washington D. C., Gainsborough Drawings, 1982 (63).
Publication history
- John Hayes, The Drawings of Thomas Gainsborough, 1970 (573) and plate 177.
Notes
- Dr Hayes thinks this may be circa 1782, when Gainsborough went to the West Country with Gainsborough Dupont.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative Number3M84904
Archival context
Object numberPA-F02978-0035
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02978
- Item:Glastonbury Abbey, Somerset
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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