Twelfth Night, Act II, Scene IV
Represented work of art
Artist
Walter Howell Deverell
Dimensions1.023 x 1.334 (40 1/4 x 52 1/2 inches)
Provenance
- John Miller, Liverpool; ( For a short period - see. D. G. Rossetti: His Family Letters, Vol. II p. 128/9), William Bell Scott, Newcastle; mrs. Steele Roberts; T. Edmondson; William Edmondson sale, Christie's, 15 December 1972 (116), bought Leger; Leger sale , Bought Anonymous..; Forbes Magazine Collection, New York.
Exhibition history
- National Institution, 1850; Dublin, November 1853; City of Birmingham Art Gallery, Pre-Raphaelite Brotherhood 1848-1862, June 1947 (22); Tate Gallery 1966-72 - lent by Mr. William Edmondson; Leger Galleries, English Paintings, May 1973 (13); Tate Gallery, the Ph-Raphaelites, 1984 (23)
Publication history
- J. Gere and R. Ironside - Pre-Raphaelite Painters, 1948, (p.28); C. Wood, Dictionary of Victorian Painters, 1971, (p.251.illus); W. Gaunt, The Restless Century, 1972, (pl.81); Bryan's Dictionary of Painters and Engravers, (illus in Vol II, p.64);
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number739464
Archival context
Object numberPA-F03136-0011
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F03136
- Item:Twelfth Night, Act II, Scene IV
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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