Apples
Represented work of art
Artist
Albert Joseph Moore
Dimensions0.285 x 0.488 (11 1/4 x 19 3/4 inches)
Inscription
- Signed with a Greek anthemion and dated "75
Provenance
- Bought from Mr Lear in 1876 by Rt. Hon. William Kenrick, P. C, W. Byng Kenrick; W. E. Kenrick; Mrs Judith A. Newcomer (great-granddaughter of Rt. Hon. Wm. Kenrick), Her sale, Christie's, 19 May 1978 (61)
Exhibition history
- Grafton Galleries, Albert Moore Memorial Exhibition, 1894; Birmingham City Museum and Art Gallery, Works of Art from Midland Houses, 1953 (50); Nottingham University, Victorian Paintings, 1959 (51); Agnew's, Victorian Painting, 1961 (106 - on loan from W. B. Kendrick); Sheffield Mappin Art Gallery, Victorian Paintings, 1968 (126 - on loan from W. B. Kendrick); Sheffield Mappin Art Gallery, Burne-Jones, 1971, (213); Fine Art Society, Aspects of Victorian Art, 1971, (116); Newcastle-upon-Tyne, Laing Art Gallery, Albert Moore and His Contemporaries, 1972 (47);
Publication history
- A. Lys Baldry, Albert Moore His Life and Works, 1894, (pp.46 and 103); Graham Reynolds, Victorian Painting, 1966 (pp.121 and 138, n.82); Christopher Wood, Dictionary of Victorian Painting, 1971, (p.104); Martin Harrison and Bill Waters, Burne-Jones, 1973 (p.92, pl.127);
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Graves Art Gallery
Negative Number2167
Archival context
Object numberPA-F03155-0077
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F03155
- Item:Apples
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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