Bamborough Castle, Northumberland
Represented work of art
Artist
Thomas Girtin
Material
Dimensions0.42 x 0.545 (16 1/2 x 21 1/2 inches)
Subject
Inscription
- Signed and dated 1797, laid down on original mount, inscribed on the reverse: Bamborough Castle/ Northumberland
Provenance
- George Selby, Twizell, Northumberland (who commissioned the watercolour), and thence by descent to Sir Geoffrey Selby Church, Bart (deceased), His sale, Sotheby's, 13 March 1980 (137)
Exhibition history
- Annual Exhibition of Selected Water Colour Drawings in aid of the A.G.British Institute, Agnew's Galleries, London 1931 (132); Loan Exhibition of Water-Colour Drawings by Thomas Girtin, Agnew's Galleries, London, 1953 (15)
Publication history
- R. Davied, Thomas Girtin's Watercolours, Studio 1924, p.24 reproduced plate 21 in colour; Jonathan Mayne, Thomas Girtin, Leigh-on-Sea 1949, (pp.44 and 107); Girtin and Loshak, The Art of Thomas Girtin, London 1954, (pp.63-64, no.192 illus pl.34)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM29317
Archival context
Object numberPA-F03343-0017
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: Identified, A-E
- Item:Bamborough Castle, Northumberland
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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