A Turks Head: Mr Henry Mossop In The Guis Of Bajazet From Nicholas Rose's Play Tamerlane
Represented work of art
Artist
William Hogarth
Material
Dimensions26 1/2 x 18 1/4 inches (67.2 x 46.3 cm)
Subject
Provenance
- John Inigo Richards, R. A (1731-1810), the artist's godson; his estate sale, Squibb's London, 12 March 1811 (97), Robert Graves ; Baker & Sotheby's, London, 16-25 June 1825, an added lot (sold to Thomas S. Foreman), Thomas S. Foreman; William Henry Foreman (the above son) of Pippbrook House, Dorking, Surrey; Mrs Burt (the above' aunt) and by descent within her family to, Major A. H. Browne; Christie's London, 14 July 1989 (109) (49, 500 to the current owner), Hon and Mrs Douglas D. Everett; Anonymous sale, Christie's London, 22 November 2006 (40)
Photographic source
Object FormatPhotographic Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F03268-0079
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits-Male, Identified, A-Z
- Item:A Turks Head: Mr Henry Mossop In The Guis Of Bajazet From Nicholas Rose's Play Tamerlane
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.
Tell us more
Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.
