Alexander Pope
Represented work of art
Dimensions1.11 x 0.895 (44 1/2 x 35 1/4 inches)
Provenance
- Earl of Upper Ossory; Christie's, 21 May 1842 (amphill Park sale) (52) to Marquis of Lansdowne, Christie's, 7 March 1930 (Lansdowne sale) (50), bought 'Ffennell'; Christie's, 5 October 1956 (34), Mrs Raymond ffennell; sale, bought Frost and Reed of Bristol bought 1957 by Zeitlin & ver Brugge, Los Angeles, who sold it to Wilmarth s. Lewis; Lewis Walpole Library, Farmington, C, T. (65)
Exhibition history
- Yale Art Gallery Paintings, Drawings and Sculpture Coll. By Yale Alumni
Publication history
- The Georgian Intellectuals Art News March 1947 repr p 18; The Yale Edition of Horace Walpole's Correspondence vol 2, 1960 p 543 J. Cornforth, Country Life 1978 p 1152
Photographic source
Object FormatPhotographic Print
Photograph Source
Yale University, Lewis Walpole Library
Archival context
Object numberPA-F03263-0055
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F03263
- Item:Alexander Pope
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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