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The Disenchantment Of Bottom : A Midsummer's Night's Dream Act Iv Scene Ii

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Represented work of art

Artist Daniel Maclise

Material

oil paint

Dimensions1.27 x 1.015 (50 x 40 inches)

Work type

paintings

Provenance

Farnworth Thomas Agnew's, deceased, Christie's, 6 May 1871 (29), Albert Grant 1875; Christie's, 27 April 1817 (50), W. C. Quilter, Christie's, 27 April 1893 (117), bought The Hon. E. C. Guinness; sale, Christie's, Elveden Hall, 21 May 1984 (50)

Exhibition history

Royal Academy of Arts 1832 (464)

Publication history

W. J. O'Driscoll, A Memoir of Daniel Maclise 1871 p 45; W. G. Stickland, A Dictionary of Irish Artist Vol II 1913 p 66; R. L. Ormond Daniel Maclise Burlington Magazine Vol 110 1968 p 692

Previous owner Thomas Agnew and Sons Ltd.

Photographic source

Object FormatPhotographic Print

Photograph Source A.C. Cooper Studio

Negative Number18838

Archival context

Object numberPA-F03637-0015

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:Oils: Subject paintings.
Item:The Disenchantment Of Bottom : A Midsummer's Night's Dream Act Iv Scene Ii

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

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