Train Up A Child In The Way He Should Go, And He Will Not Depart From It? Proverbs, Ch. 22, V. 6
Represented work of art
Artist
William Mulready the younger
Material
Dimensions0.64 x 0.775 (25 1/4 x 30 1/2 inches)
Subject
Inscription
- Signed and title on a Label, verso; Royal Academy of Arts 1841 (109)
Provenance
- Thomas Baring, M. P. ; sale Christie's, 8 June 1882; Agnew's, bought From the sale; Ralph Brocklebank; His sale, Christie's, 29 April 1893 (95), Agnew's, bought From the above for R. Brocklebank; His sale, Christie's, 7 July 1922 (67), Sampson, bought From the above; John Emsley; His sale, Sotheby's, 6 June 1945, (123), Mitchell, bought from the above, thence to the present owner; Anonymous sale, Sotheby's, 27 November 1984 (15) bought by Fine Arts Society for the Forbes Collection.
Exhibition history
- London, The Arts Council Victorian Paintings 1962 (50); Bristol, City Art Gallery, William Mulready June 1964 (19); London, Royal Academy of Arts Bicentenary Exhibition 1968 (192); Paris, Palais des Beaux-Arts La Peinture Romantique Anglaise et Les Préraphaélites 1972 (201)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberB57661
Archival context
Object numberPA-F03562-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Genre: Exterior
- Item:Train Up A Child In The Way He Should Go, And He Will Not Depart From It? Proverbs, Ch. 22, V. 6
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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