The Holy Family With The Infant Saint John The Baptist
Represented work of art
Artist
Anton Raphael Mengs
Dimensions2.00 x 1.36 (78 x 53 1/2 inches)
Subject
Provenance
- Commissioned by Lord Fordwich (who became the 3rd Earl Cowper in 1764) before August 1761; Possibly bought In Italy by Thomas Grimston (1753-1821) of Kilnwick Hall, nr. Driffield and Grimston Garth House, Grim-sont; by descent until sold Sotheby's, 5 July 1989 (69), Anonymous sale, Christie's, 5 July 1991 (100)
Publication history
- H. Von Erffa and A. Staley The Paintings of Benjamin West 1986 p 466 under 511 (as lost); D. Honish anton raphael Mengs unde die Bildform des Fru Klassizismus 1965 p 125 no. 254 (as lost)
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number2322443
Archival context
Object numberPA-F03723-0005
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits A-Z
- Item:The Holy Family With The Infant Saint John The Baptist
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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