Portrait Of Sarah Martha (Sally) Siddons (1775-1803), Daughter Of Sarah Siddons, The Actress, In A White Dress With A Pink Shawl, Seated By A Pond In A Wooded Landscape
Represented work of art
Artist
Thomas Lawrence
Dimensions55 7/8 x 44 1/4 inches (141.9 x 112.3 cm)
Subject
Provenance
- Captain Royal Academy of Arts Fraser-Mackenzie, Netley Park, Gorris Hall, Surrey; Christie's London, 1 July 1927 (12), A. L. Nicholson, Esq. , Llandaff House, Weybridge-On-Thames, Surrey; Anderson Galleries, New York, 18 May 1933 (24), Bt by Robert Abrams; Walter P. Chrysler, Jr. New York, by 1955; his sale, New York, Parke-Bernet, 29-30 April 1960, (197), Private collection, New York; Sotheby's New York, 27 January 2011 (192) as Lawrence and studio; Anonymous sale, Christie's London, 6 December 2011 (35)
Publication history
- K. Garlick, Sir Thomas Lawrence, A complete catalogue of his oil paintings, 1989, p. 265, no. 716a
Photographic source
Object FormatCatalogue cutting
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F03776-0217
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits Female, Identified, A-Z
- Item:Portrait Of Sarah Martha (Sally) Siddons (1775-1803), Daughter Of Sarah Siddons, The Actress, In A White Dress With A Pink Shawl, Seated By A Pond In A Wooded Landscape
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.
Tell us more
Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.
