The Angel Appearing To Hagar In The Wilderness
Represented work of art
Dimensions1.35 x 1.02 (53 x 40 inches)
Provenance
- Executed for Marchese Niccolo Maria Pallavicini, Rome; Marchese Arnaldo, Florence; Richard Dalton, bought From the above 1758 on behalf of Sir Richard Grosvenor, 7th bought (1731-1802), Created Baron Grosvenor 1761, and Viscount Belgrave and Earl Grosvenor in 1764, thence by descent to the 2nd duke of Westminster, Christie's, 4 July 1924 (16) with Ga; erie Charles Brunner, Paris (2619) and (2620) Don Lorenzo Pellerano; sale, Guerrico and Williams 1042 Carlos Pellegrini October 1933 (1049) and (1050), Anonymous sale, Christie's, 9 April 1990 (66a)
Publication history
- A. Blunt and H. L. Cooke, The Roman Drawings of the XVII and XVIII Centuries in the Collection of her Majesty the Queen at Windsor Castle, 1960 p. 55 (Hagar); A. Sutherland Harris and e. Schaar, Kataloge des Kunst Museums dusseldorf ii, l Die Handzeichnungen von Andrea Sacchi und Carlo Maratta 1967 p 150 (437) (Hagar)
Previous owner
Iolo Aneurin Williams
(1890 - 1962)
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number203071
Archival context
Object numberPA-F03668-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F03668
- Item:The Angel Appearing To Hagar In The Wilderness
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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