Portrait Of A Boy
Represented work of art
Artist
Peter Lely
Dimensions0.914 x 0.759 (36 x 29 7/8 inches)
Subject
Inscription
- Signed with the monogram PL
Provenance
- Recorded by Horace Walpole in the Collecton. Of Edward Lovibond at Hampton ('Visits to Country Seats', Walpole Society, XVI, 1928, p. 69), & bought By him at a sale of that Collecton. , May 1776; Strawberry Hill sale, 11th day, 6 May 1942 (21), bought By Sir Robert Peel; Peel Heirlooms sale, Robinson & Fisher 10 May 1900 (203), presented by Charles Fairfax Murray, 1911 to: Dulwich College Picture Gallery
Exhibition history
- National Portrait Gallery, London, Sir Peter Lely 1618-80, 1978 (28)
Publication history
- Collins Baker, II, p. 122; Beckett, no. 129; Horace Walpole, Correspondence, ed. W. S. Lewis, XXXII, Yale 1965, pp. 244-5
Photographic source
Object FormatPhotographic Print
Photograph Source
Dulwich Picture Gallery
Negative Number563
Archival context
Object numberPA-F04041-0015
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits-Single; Unidentified; Male
- Item:Portrait Of A Boy
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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