Portrait Of Sir Walter Scott
Represented work of art
Artist
Henry Raeburn
Dimensions75.5 x 59 (29 3/4 x 23 1/4 inches)
Subject
Provenance
- Commission by Henry, Baron Montagu. To his daughter Lucy who married 11 Earl of Home. Charles 12tg Earl Home, by whom sold at Christie's, 20. 6. 1919 (144) Sir Robert Usher. Thence by descent. Anonymous sale, Sotheby's, 25. 11. 1998 (52)
Exhibition history
- Exhib: Edinburgh, Scott Centenary Exhibition, 1871. Edinburgh, Scott Centenary Exhibition, 1932. Glasgow, Empire Exhibition, 1938.
Publication history
- L.G. Lockhart, Memoirs of the Life of Sir Walter Scott, 1837-8. W. Armstrong, Sir Henry Raeburn, 1901. J. Caw, The Scott Gallery, 1903. J. Greig, Sir Henry Raeburn, 1911. F. Russell, Portraits of Sir Walter Scott, 1987. D, Thomson, Raeburn, catalogue for exhib. Scottish National Portrait Gallery, 1997.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE33336
Archival context
Object numberPA-F04425-0205
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Male Identified, A-Z
- Item:Portrait Of Sir Walter Scott
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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