Wooded Landscape with a Stream
Represented work of art
Artist
Joshua Reynolds
Dimensions0.72 x 0.705 (28 1/4 x 27 1/4 inches)
Provenance
- Prov; Samuel Rogers, his sale Christie's, 28 April-28 May 1856 (604), bought Pearce: Wynn Ellis by 1858, subsequently sold Christie's, 6 May 1876 (85), bought de Zoete; H. De Zoete, sold Christie's, 8 May: 1885 (191) bought Knowles; James Knowles, Queen Anne's Lodge, Westminster, by whom sold Christie's, 29 May 1908 (408), bought Sully; Frank Bulkeley-Smith, Worcester, Mass., Sold New York, 22 April 1920 (89), Anonymous sale, Sotheby's, 16 November 1988 (87)
Exhibition history
- British Institution 1858 (177); Royal Academy of Arts, 1886 (42); Royal Academy of Arts, Winter Exhibition 1903 (7)
Publication history
- A. Graves and W. V. Cronin A History of the Old English Landscape Painters 1957-61, vol II, p. 156
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE23370
Archival context
Object numberPA-F04234-0109
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F04234
- Item:Wooded Landscape with a Stream
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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