A Naval Officer, Said to Be Admiral Augustus Keppel
Represented work of art
Artist
Joshua Reynolds
Dimensions74 x 61.5 cm
Subject
Inscription
- Inscribed Captain the Hon Augustus Keppel. Born april 1725 created Viscount Kellep 1782 died 1786. Painted by Sir Joshua Reynolds at Mount Edgcumbe. 1749. Given by Charles William 4th Earl of Albermarle to R. F. Elwin. Clk. 1820. Lined 1850
Provenance
- Anonymous Christie's, 12 July 1996 lot. 67; William Keppel, 4 Earl Of Albemarle, by whom given to R. W. Elwin, 1820; Anonymous sale, Christie's, 18 June 1920, (118), bought Leger; Anonymous sale, Sotheby's, 13 July 1994 (63)
Exhibition history
- British Institution, 1847, no.139
Publication history
- Graves and Cronin, A History of the Works of Sir Joshua Reynolds, Vol II, P. 544
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE29675
Archival context
Object numberPA-F04229-0055
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Male, A-Z (not in David Mannings catalogue)
- Item:A Naval Officer, Said to Be Admiral Augustus Keppel
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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