Dante Meeting Beatrice
Represented work of art
Artist
Dante Gabriel Rossetti
Dimensions0.311 x 0.36 (12 1/4 x 10 1/4 inches)
Subject
Inscription
- Signed: D G R 1864 (monogram); Inscribed: Guardami ben: ben son, ben son Beatrice
Provenance
- Commissioned by William Graham's sale, Christie, 3 April 1886 (107) Bought Agnew; Dr. David Lloyd Roberts (by 1887), bequeathed by him to: ; the City Art Gallery, Manchester, 1920
Exhibition history
- Burlington Fine Arts Club, Rossetti, 1883 (143), lent by William Graham Manchester, Royal Jubilee Exhibition, 1887 (1780); Glasgow, International Exhibition, 1901 (1113); Manchester, City Art Gallery, Ford Madox Brown and the Pre-Raphaelites, 1911 (157); Liverpool, Walker Art Gallery, Water Colour Drawings by Deceased British Artists, 1912 (116); Tate Gallery, 1860 Exhibition, 1923 (9); Hampstead, 1928; Liverpool, Walker Art Gallery, Pre-Raphaelite Paintings, Drawings and Book Illustrations, 1961 (30); Baden-Baden, Staatliche Kunsthalle, Prerrafaelitas, 1973/74 (122); London, Thos. Agnew, Watercolours and Drawings from the City Art Gallery, Manchester, October 1977 (78)
Publication history
- H. C. Marillier, D. G. Rossetti, 1899, p.137, cat. no. 158; V. Surtees, D. G. Rossetti; The Paintings and Drawings, 1971, p.73, no. 116 G.R2; Manchester, City Art Gallery, Pre-Raphaelite Paintings, 1974, p. 15, repr. p. 113
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Manchester Art Galleries
Archival context
Object numberPA-F04576-0083
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Mythological, Literary and Genre
- Item:Dante Meeting Beatrice
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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