Portrait of Sir Henry Mainwaring, 4th Baronet (1726-1797)
Represented work of art
Artist
Allan Ramsay
Dimensions29 1/2 x 24 1/2 inches (74.5 x 62 cm)
Inscription
- Signed: A. Ramsay 1748 lower right
Provenance
- On the sitter's death without issue, probably passed to his friend George, Lord Grey, later Earl of Stamford; Thence by descent to his great grandson George, 7 Earl of Stamford; Katharine Cocks, Countess of Stamford, his widow; Catherine Payne, her great niece, who married Sir Henry Foley Lambert, 7 Bt; Sir John Foley Grey, bought Enville Hall, his sale Christie's, 15 June 1928 (83) bought Tooth; Cornelius J. Kelly, 1933; wildenstein, New York; Mrs Frances Kelly Wood, New York, by 1968; Anonymous sale Sotheby Parke Bernet, New York, 22 January 1976 (57), Anonymous sale, Sotheby's London, 6 June 2007 (37)
Publication history
- A. Smart, Allan Ramsay, A Complete Catalogue of his Paintings, 1999, no. 346, fig. 272
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F04728-0095
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F04728
- Item:Portrait of Sir Henry Mainwaring, 4th Baronet (1726-1797)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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