Lady Charlotte Fitzroy, Later Countess Of Lichfield (1664-1718)
Represented work of art
Artist
Peter Lely
Dimensions1.27 x 1.016 (50 x 40 inches)
Subject
Provenance
- Passed by descent from the Earls of Lichfield to the 18 Viscount Dillon; sold Sotheby's, 24 May 1933 (69), bought Vickers; Sir Bernard Eckstein sale, Sotheby's, 8 December 1948 (85), bought Agnew's; presented to York by NACF 1949; York City Art Gallery
Exhibition history
- National Portrait Gallery, London Sir Peter Lely 1618-80, 1978 (47)
Publication history
- Beckett, no. 199; Waterhouse, Painting in Britain 1530-1790, (1953), p. 63; For further Lit see over; City of York Art gallery, Cat. Of Paintings, II, 1963, pp. 58-60 (18); J. D. Stewart in English Portraits of the 17th and 18th Centuries, University of California, Los Angeles 1974, pp. 9-11
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Archival context
Object numberPA-F04714-0039
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Single Identified Female, Portraits; D-H.
- Item:Lady Charlotte Fitzroy, Later Countess Of Lichfield (1664-1718)
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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