Exeter From Exwick
Represented work of art
Artist
Francis Towne
Material
Dimensions0.216 x 0.393 (18 1/2 x 15 1/2 inches) 0.321 x 0.503
Subject
Inscription
- Signed and dated bottom left: F. Towne delt. 1787 on verso: A View of Exeter, taken between Exwick and Cowley bridge, / on the Hill looking towards Exeter, with the river on your left hand/ this is original outline, that the large picture was painted from/ that was in the Exhibition 1773. Francis Towne 1787
Provenance
- Merivale family; Col. Ransom Pickard; presented by him in 1932 to City of Exeter Museums & Art Gal.
Exhibition history
- Exterr, Royal Albert Memorial Museum, 1932, (117) lent by Miss Merivale of Oxford; 1949, (11); 1951, (81); and Paintings and Drawings by Francis Towne and John White Abbott, 1791, (7)
Publication history
- A. P. Oppé, Francis Towne, Landscape Painter, Walpole Society, Vol8, 1919-20, pp. 100-101; A. Bury, Francis Towne; Lone Star of Water-Colour Painting, 1961, 99. 61-62 pl. Xix.
Photographic source
Object FormatPhotographic Print
Photograph Source
Royal Albert Memorial Museum and Art Gallery
Archival context
Object numberPA-F05294-0077
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: British; Identified, A-L
- Item:Exeter From Exwick
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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