In The Forest Of Fontainebleau
Represented work of art
Artist
Richard Parkes Bonington
Dimensions0.317 x 0.241 (12 1/2 x 9 1/2 inches)
Work type
Inscription
- Label on the back inscribed: Sketch in the Forest of Fontainbleau by right P. Bonnington from the collection of Mr. Carrier, painter to the Duc de Conde and fellow student of Bonnington from whom he received this sketch
Provenance
- Joseph Auguste Carrier, Paris; Fenton sale, Christie's, 17 April 1846 (33-withdrawn), R. C. Fenton sale, Christie's, 7 May 1900 (103 as "A Rocky Gorge near Fontainebleau"), The Hon. Sir Evan Edward Charteris, by descent to the Hon Mrs George Daway; her sale Christie's, 22 November 1968 (97), Paul Mellon (1907–1999)
Exhibition history
- Nottingham, R.P. Bonington 1965 (250)
Photographic source
Object FormatPhotographic Print
Photograph Source
Yale Center for British Art
Negative NumberMS476
Archival context
Object numberPA-F04736-0033
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Landscapes and Coastal, France, Identified, A-Z
- Item:In The Forest Of Fontainebleau
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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