The Merciful Knight
Represented work of art
Artist
Edward Coley Burne-Jones
Material
Dimensions1.03 x 0.692 (39 1/2 x 27 1/4 inches)
Inscription
- Signed and dated Edward Burne-Jones 1863, lower right.
Provenance
- James Leathart; sold Christie's, 1897; W. Marchant; the Trustees of the late Sir J. T. Middlemore. ; Birmingham Museum And Art Gallery
Exhibition history
- RWS, 1864; New Gallery 1892-3 (9) and 1898-9 (53); Goupil Gall., 1896; Tate Gall., Loan of Paintings and Drawings of the 1860 period, 1923 (102), and 1933 (8); Turin, II Sacro e il Profano nell arte dei Simbolisti, 1969 (45); Sheffield Art Gallery, Burne-Jones, 1971 (10); Arts Council, London, Burne-Jones, 1975 (45)
Publication history
- Lady Georgiana Burne-Jones, Memorials of Edward Burne-Jones, vol. I, pp.261,276, vol II, p.231, M. Bell, Edward Burne-Jones, 1892, pp.21, 37, 97.; Fortunee de Lisle, Burne-Jones, pp.67, 69-72, 73, 74, 180.; O. van Schleinitz, Edward Burne-Jones, 1901, p.7; Cat. of Paintings from the Leathart Coll. Newcastle 1968 (repro. on cover and pl. 1).
Photographic source
Object FormatPhotographic Print
Photograph Source
Graves Art Gallery
Negative Number2171
Archival context
Object numberPA-F04777-0051
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oil and Mixed Medial: Literary and Medieval
- Item:The Merciful Knight
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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