Fairies Dancing On The Green By Moonlight
Represented work of art
Artist
Francis Hayman
Dimensions1.442 x 0.921 (56 3/4 x 36 1/4 inches)
Work type
Technique
- printmaking
- drawing (image-making)
- engraving (printing process)
Provenance
- Venton & Hughes, sale, London 12 October 1841 (194), Frederick Gye, proprietor of Vauxhall Gardens; Joseph Parkes, 8 May 1858 (75), Joseph Parkes; Christie's, 13 July 1860; William Henry Forman; Sotheby's, 27 June 1899 (84), Major A. H. Browne, thence by descent to Trustees of the Callaly Chattels Settlement, their sale, Christie's, 21 Nove. 1986 (64) /i
Exhibition history
- Newcastle-upon-Tyne, Hatton Gallery Pictures from Collections in Northumberland 1951 (21) and (22) (as Hogarth) Nottingham University Art Gallery Shakespeare in Art, 1961 (14) Arts Council, Shakespeare in Art 1964 (10) London, Tate Gallery Hogarth 1971/ (126)
Publication history
- R. Paulson Hogarth the Painter: The Exhibition at the Tate Burlington Magazine XCIV Jan. 1972 p 71; A. Smart Hogarth or Hayman? Another Look at the Fairies Dancing on the Green by Moonlight, Apollo, CIX March 1979 pp 208-12; R. Simon Hogarth, Shakespeare Apollo CIX March 1979 pp 213. 219
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number9079
Archival context
Object numberPA-F04784-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Vauxhall Decorations: Drawings, Paintings & Engravings
- Item:Fairies Dancing On The Green By Moonlight
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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